With an interest in electronics and
music, I began playing guitar and synthesizers in 1978. Shortly thereafter, I
began doing basic guitar work, setups, and pickup installs.
Coming from a line
of accomplished craftsmen and
engineers, I aspired to Master
grade/Artisan quality in all of
my designs and work. I
was woodworking LONG before I began working on guitars and really love working
on fine instruments.
At age 15, I toured
the original ARP
factory in Lexington, Massachusetts. At that time, they were refining and servicing the ARP Avatar Guitar Synths. I had already been playing ARP
Odyssey and Micro-Moog, so this made a big impression on
me. The Avatars later became a giant problem, and have been cited as the
main reason ARP went belly up. The Alan R. Pearlman story is a pretty
interesting one indeed.
A year or so later, I toured the
original Lexicon factory in Waltham, Massachusetts. It was very
interesting to see
the labs, and I knew I wanted to work in audio electronics. Later,
as an assembler for Tec-Con Corporation, I assembled and terminated literally
tens of thousands of Amp, Molex and Panduit ribbon cable assemblies for legendary audio
companies such as Ursa Major, Lexicon, Symetrix, Mutron, Deltalab, Orban and dbx.
My thanks to Dan Erlewine, for
making so much information available. He truly is one of the greats and,
in my humble opinion, he has advanced the
art of guitar repair to one of precision, consistency, and professionalism. Hats
off to Dan (check www.stewmac.com).
Some influences which I'd like to
acknowledge: Pete Cornish, Phil Taylor, Alan Rogan, Bob Bradshaw, Charles
Mason, Tom Scholz, Richard Stanley, Dan Healy,
John Cutler, Steve Parrish, Arthur Ohlens, and more recently, Mike Shannon, J.T.
Riboloff and Jason Davis. Additionally, I recognize my
dear Dad, a most excellent engineer, an expert wood worker and a patient helper,
thanks Dad!
In 1984, an interest in the recording process, and studios,
led me to study Recording Engineering with Bob Rock (the Cult, Blue Murder,
Metallica). I began doing installation work in studios and second-engineering friends' demo
recordings. In 1993, I relocated to Seattle from New England.
In 1994/1995, I worked on 3
studio installs, each having much custom cabling
and unique patch panels. A wide variety of work followed with
three large pedalboards in 1996, several rack
systems and hundreds of repairs.
1999
found me working as if in a dream,
restoring Jimi
Hendrix’s
Datamix console for the EMP. This was the original from Electric Lady’s
Studio A. Click
here to go to Hendrix Lore, aka Blah Blah Woof Woof.
In
2001, I restored two celebrity-owned vintage instruments. I also began designing
a new Hex instrument with Piezo, Synth, Sustainor and stereo outputs. In
2003, I designed and began work on a
custom 22 7/8" scale 7/8
size lefty Strat style mini (click
link for pop-up photo).
In
early 2004, I relocated to Lake Elsinore in Southern California, where I worked
for several months at Suhr Guitars. Subsequently, while
exploring full-time employment opportunities in California, I set up a new
workshop and took on select work and custom projects, including vintage
restoration.
Utilizing
the skills I have built up over the past 25+ years, I am now beginning
production of improved classic guitars and exciting new designs. I accept orders for custom guitars and produce them to meet
unique customer requirements, and have selected models already constructed and
available for purchase. This website has
been updated to reflect this new focus.
Please
feel free to contact me for more
information.
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